Faces in the Street

by Errol O'Neill

A story of the 1912 Brisbane General Strike.

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Description

Errol O’Neill‘s Faces in the Street is based on the events of the 1912 Brisbane General Strike. With a mixture of historical and composite fictional characters, it presents the stark contrast between the aspirations of labour and those of the capital. Faces in the Street also explores the more enduring and complex divisions within the labour camp itself and traces the effect of the labour movement experience on the lives of individuals.

Faces in the Street is one of the many plays that Errol wrote about the history of the Queensland labour movement. The other plays include Playlab Theatre’s New Vintage publication Popular Front and On the Whipping Side.

SYNOPSIS

It is two years before the Great War; three years before the Labour Party was to begin almost a 40 year Queensland dynasty; five years before the Russian Revolution; and eight years before the formation of the Australian Communist Party. Over 150,000 people call Brisbane home and, when the strike is called, ten per cent of the population walks of the job. This was the first general strike in Australian history and was to form attitudes that would typify industrial relations in this country up to the present day.

PRODUCTION HISTORY

Faces in the Street was commissioned by La Boite Theatre, Brisbane for the 1983 Warana Festival, through generous support of the Festival Committee. The play was directed by Andrew Ross with original music by Donald Hall and was first produced at La Boite Theatre on 16 September 1983.

ISBN: 978 1 922424 33 4

Print-on-Demand (POD)

Print-On-Demand (POD) is a service Playlab Theatre offers to help cater to customers who prefers/needs to have a physical printout of a digital script. We can also provide the hardcopies to suit a variety of situations that includes rehearsals, studies and/or libraries to have on their shelves.

Please note that:

  • POD Copies are charged at a flat rate of $9.00 each in addition to the digital price of the text (Not including sale prices).
  • A POD copy is a thermal fastback binding copy as depicted in the pictures below, it is not the same as a standard hardcopy script offered by Playlab Theatre.

 

POD Sample

Photocopy Licences

A Photocopy Licence is required to make copies of any purchased digital play script. Should you wish to make additional copies for a cast to rehearse or a class to study, you will need to purchase the necessary licence by:

  • Adding the Photocopy Licence to your shopping cart when you purchase a digital script. OR
  • Downloading the ‘Photocopy Licence and POD Order Form’ below and returning it to Playlab digitally to info@playlabtheatre.com.au or via mail to PO Box 3701 South Brisbane B.C, 4101.

 

Photocopy Licence and POD Order Form

 

Please note:

  • Photocopy Licences are not available for hardcopy scripts.
  • Educational institutions covered by a Copyright Agency Limited (CAL) licence should take note that their CAL licence only allows them to copy a maximum of one chapter or 10% of a script whether it is in digital or hardcopy format.
  • A Photocopy Licence does not include the right to on-sell copies of the script printed under the licence.
  • Playwrights receive royalties from the sale of licences.

Performance Rights

Let Playlab help you obtain the performance rights for your production. Simply click on ‘Performance Rights Enquiry Form’ below and we will get you on track to having your production off the page and onto stage.

Performance Rights Enquiry Form

Any performance or public reading of any text published by Playlab is forbidden unless a licence has been received from the author or the author’s agent. The purchase of a Playlab publication in no way gives the purchaser the right to perform the play in public, whether by means of a staged production or as a reading. Please direct all inquiries concerning performance rights, publication, translation or recording rights to info@playlabtheatre.com.au or call us on (07) 3220 2763.